Chris wrote:Tribal weavings are collectable ... for collector who looks for those criteria. ... old weavings were made from wifes and daughters for a wonderful pretty home, for feasts and holydays. With the best basic material and finest work. And with natural fine colors at best.
There may be some truth to this, but it seems to be an oversimplifying and romanticizing way of describing tribal rugs (or tribal artefacts of any kind).
First of all, for something to be tribal, it has to be made by a member or members of a tribe. What exactly counts as a tribe is vague and controversial, but rugs produced by people hired in a city-workshop, or by village members of various ethnic backgrounds would not count.
There are many so-called Village rugs, which technically don't qualify as tribal rugs, which were made for personal, as opposed to commercial, use, and which are very desirable to collectors.
Second, the idea of a wonderful pretty home embellished by the handy-work of wives and daughters seems very much a Western idea.
(a) In most tribal communities, the making of a tribal rug involves most members of the communities, be it to shear the sheep, card and spin the wool, make the dye, dye the wool, build the looms, weave the rug, wash and shear the rug. And even the weaving is not always done by women. Most Tekke rugs, for example, were woven by men.
(b) Many of the knotted and woven tribal artefacts have a purpose that goes way beyond embellishment: Tribal tent bags, tent doors, sleeping rugs, sleeping pillows, small bags, all are items of use. Without them, ordinary tribal life wouldn't be possible.
So how about something like a tribal weaving is a weaving produced by the members of a tribe for their own, or in any case not commercial, use.