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Tribal runner
btuma6 Offline
#1 Posted : Thursday, March 18, 2010 11:18:27 PM(UTC)
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I wasn't going to put this on since I have posted too many rugs, but my curiousity is too great.
This is my own rug not one I'm thinking to buy.

I have looked everywhere to try to match the borders, figures, but can't figure out where this rug is from or when it was made. The colors are not as bold as in the pictures and leave me to wonder if they are veggie dyes or not.
It have very good pile.

The rug is 39"X132"

Thanks
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Chris Offline
#2 Posted : Thursday, March 18, 2010 11:25:48 PM(UTC)
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Hello Bart.

Again this is something i would not call a tribal rug. It looks like a 1950-60 north-west Persian made workshop runner for the export.

Chris
btuma6 Offline
#3 Posted : Thursday, March 18, 2010 11:47:19 PM(UTC)
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As always Chris thank you. I understand, a mass produced rug made to catch the eye of an unsophisticated Westerner, like me, to think it is tribal
randdmiller Offline
#4 Posted : Friday, March 19, 2010 6:42:30 AM(UTC)
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It has a traditional motif --- but was likely made specifically for export.

For me "tribal" means it was originally produced for personal use - usually on a home-based loom --- typically over a long period of time.

In that context, "tribal" usually has a practical/functional use --- rather than eye-candy.


That said - I like your runner.




Chris Offline
#5 Posted : Friday, March 19, 2010 11:06:05 AM(UTC)
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Tribal weavings are collecteble because of that randdmiller told before. But only for collector who looks for those criterions. And thats the point: old weavings was made from wifes and daughters for a wonderful pretty home, for feasts and holydays. With the best basic material and finest work. And with natural fine colors at best.
Shereen Offline
#6 Posted : Friday, March 19, 2010 12:43:54 PM(UTC)
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Chris wrote:
Tribal weavings are collectable ... for collector who looks for those criteria. ... old weavings were made from wifes and daughters for a wonderful pretty home, for feasts and holydays. With the best basic material and finest work. And with natural fine colors at best.


There may be some truth to this, but it seems to be an oversimplifying and romanticizing way of describing tribal rugs (or tribal artefacts of any kind).

First of all, for something to be tribal, it has to be made by a member or members of a tribe. What exactly counts as a tribe is vague and controversial, but rugs produced by people hired in a city-workshop, or by village members of various ethnic backgrounds would not count.

There are many so-called Village rugs, which technically don't qualify as tribal rugs, which were made for personal, as opposed to commercial, use, and which are very desirable to collectors.

Second, the idea of a wonderful pretty home embellished by the handy-work of wives and daughters seems very much a Western idea.

(a) In most tribal communities, the making of a tribal rug involves most members of the communities, be it to shear the sheep, card and spin the wool, make the dye, dye the wool, build the looms, weave the rug, wash and shear the rug. And even the weaving is not always done by women. Most Tekke rugs, for example, were woven by men.

(b) Many of the knotted and woven tribal artefacts have a purpose that goes way beyond embellishment: Tribal tent bags, tent doors, sleeping rugs, sleeping pillows, small bags, all are items of use. Without them, ordinary tribal life wouldn't be possible.

So how about something like a tribal weaving is a weaving produced by the members of a tribe for their own, or in any case not commercial, use.

btuma6 Offline
#7 Posted : Friday, March 19, 2010 8:40:05 PM(UTC)
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Therefore from this discussion this rug is not tribal, but the earlier rug I posted ID as a Turkish Yahyali is definately a tribal. After randdmiller placed his picture I googled an article from a Turkish expert who states that rug had a definate purpose, and I include his, author Tuna, quote as he discusses yahyali rugs.

"Carpets woven by young girls for their trousseaus are the finest of all in the subtlety of their colour schemes and use of motifs.
One unique and fascinating characteristic of Yahyali trousseau carpets is the series of stylised motifs representing a village used in the borders. The girl depicts the house she wishes for, the houses of her neighbours, and the village fountain, mosque and trees, arranged side by side. Perhaps she thereby expresses her desire for the happiness of her village, her family and her own married life".

KAD Offline
#8 Posted : Saturday, March 20, 2010 5:19:29 AM(UTC)
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At first, I was to agree to Chris, looks a lot like north western persia, often these rugs are sold ind the Bazaar under the collecting name Musel. But looking at the pictures longer, I have a different feeling Could you post a detail picture that shows the knots, the selvedge and the fringes? Then I am sure I can tell you what it is.
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btuma6 Offline
#9 Posted : Saturday, March 20, 2010 7:22:32 AM(UTC)
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I hope these help and I apologize my first photos weren't sufficiient.

Thanks again for all the comments
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Shereen Offline
#10 Posted : Saturday, March 20, 2010 7:52:27 AM(UTC)
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btuma6 wrote:
... from a Turkish expert ... quote as he discusses yahyali rugs:

"Carpets woven by young girls for their trousseaus are the finest of all in the subtlety of their colour schemes and use of motifs.
One unique and fascinating characteristic of Yahyali trousseau carpets is the series of stylised motifs representing a village used in the borders. The girl depicts the house she wishes for, the houses of her neighbours, and the village fountain, mosque and trees, arranged side by side. Perhaps she thereby expresses her desire for the happiness of her village, her family and her own married life".



I'm not convinced Turgay Tuna is an expert on Turkish rugs, I'd need to see some evidence.
I found your quote on the website of a Turkish hotel, trying to attract customers.

But putting this aside, even so-called rug-experts often romanticise and express their wishful dreams rather than reality, early 20th century rug publications are full of them. But back to Tuna. Take the last sentence of your quote:

"Perhaps she thereby expresses her desire for the happiness of her village, her family and her own married life".

Perhaps she's just been told that one item in her trusseau has to look like those Yahyali rugs with a village border, and it's either weaving one or not getting married. Perhaps she is thinking about the colour television and the new washing-machine she'll have when married, or she's memorizing the English songs she's hearing on her ipod while weaving, and not expressing any desire at all? I hate to poke those pink romantic bubbles of naive, happy world tribal life (or come to think of it, I quite enjoy it).

Anyhow, I liked your village border rug, and personally wouldn't care what the weaver was trying to express, if anything, while weaving it, just enjoy the rug and the obvious expertise of the weaver manifested in it.
btuma6 Offline
#11 Posted : Saturday, March 20, 2010 10:14:00 AM(UTC)
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Yes, the same could be said about the small tekke wedding rug which expects say that the prominent male sat to entertain visitors. While in fact there is one historical reference to such a rug certainly later rugs, like the one I own, are the bright idea of a Russian marketer who made thousands. I'm not sure, if we are just talking about enjoyment rather than value, if it isn't bad to still imagine the hopes and dreams of a young girl. Therefore, if I am to error, again for my own enjoyment, I will error that perhaps an expert is really an expert and just maybe it doesn't have a Walmart tag, but native's dreams.

On the other hand I no longer believe in Santa Claus so I need to have some validation and reason to romantize.
Shereen Offline
#12 Posted : Saturday, March 20, 2010 10:32:52 AM(UTC)
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I agree on this. When I look at one of my rugs and discover new things on it (patterns I hadn't seen, choices of colour, irregularites, whatnot), or just enjoy the overall picture, I often can't help but thinking that the individual (or individuals) who wove it must have felt joy and pride about producing objects of such beauty, and about having the skill of doing so.
KAD Offline
#13 Posted : Saturday, March 20, 2010 11:08:53 AM(UTC)
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Thanks for the pictures, they help a lot. It is a south persian Sirjan Afshar, ca. 1960. Unusual size for this type of rug - they usually do not make runners. Really nice piece. Nomadic or not? Fact is that in this area there where many nomadic clans at this time traveling during the season with their tents and sheep and staying for winter in houses. So I would accept the term nomadic or village rug.
Art Oriental - Djoharian fine oriental rug, since 1967
Ludwigstr. 21 97816 Lohr, Bavaria - Germany
https://www.the-rug-store.de
https://www.facebook.com...TeppicheArtOrientalGmbh
https://www.instagram.com/djoharian_collection/



Chris Offline
#14 Posted : Saturday, March 20, 2010 12:55:37 PM(UTC)
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Looks to me like an heavy Azerbaidjan type. The selvages are not the use to see in Afshar rugs. The closeups simulate a relatively fine weaving and i agree with KAD it looks a bit like Sirjan...although the rug is rude as a Hamadan.
ufuk Offline
#15 Posted : Wednesday, March 24, 2010 5:24:40 AM(UTC)
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Just to put my two cents in, Usually , in my experience tribal rugs do not have cotton base. This only found in the workshop/town rugs. I guess it is an Afshar rug probably made in Hamadan, like many other low end Sarouks and Mahals.
Ed Offline
#16 Posted : Wednesday, March 24, 2010 9:22:10 AM(UTC)
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Chris was correct first time. Heriz type NW Iran Azerbadjan area.
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